“Radiating with an urgency to communicate something fascinating and rare.” —The Baltimore Sun

Bergamot Quartet is fueled by a passion for exploring and advocating for the music of living composers, continually expanding the limits of the string quartet’s rich tradition in western classical music. With a priority given to music by women, they aim to place this new, genre-bending music in meaningful dialogue with the histories that precede it with creative programming, community-oriented audience building, and frequent commissioning.

Bergamot values partnership and collaboration as a vital element of their creative work. Included in their 2023-24 season is the premiere of an evening-length work at Lincoln Center by percussionist Samuel Torres for Bergamot and Latin jazz sextet, collaborating with The Crossing Choir for a premiere of David T. Little’s SIN-EATER, premiering a new work by Robert Honstein for BalletCollective, an evening exploring Hildegard von Bingen with the New York Choral Society, and a collaboration with composer/percussionist Susie Ibarra and her Talking Gong trio. Bergamot operates the monthly concert series “Bergamot Quartet Extended”, happening at Sisters (Brooklyn) this spring, as a medium to showcase their many inspiring collaborators.

In addition, Bergamot is particularly excited about helping young people discover their potential as music creators. Recent engagements include residencies at The Peabody Institute, Princeton University, Towson University, Peabody Institute’s Junior Bach program, and MATA Jr. The quartet is also on faculty at Arts Letters & Numbers’ Creative Music Institute, a workshop open to artists of all ages.

Bergamot Quartet is Ledah Finck and Sarah Thomas, violins; Amy Tan, viola; and Irène Han, cello. Founded at the Peabody Institute in Baltimore in 2016, Bergamot Quartet is based in New York City and was the Graduate String Quartet in Residence at the Mannes School of Music for 2020-2022.